DAVE HARDY

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2019 RAIR Fellowship Resident

how Lovely the ruins, how ruined the lovely
Dave Hardy, Carole Harris, Dorothy Hood
at Sargent's Daughters, NYC

The Artifact Labyrinth: Unfixed Histories and the Language of Transformation

at STUDIO LÀ CITTÀ, Verona

Dave Hardy, Letha Wilson and Keiji Uematsu
at GALERIE CHRISTOPHE GAILLARD, Paris

Guggenheim Foundation Fellowship 2018-2019

Pollock-Krasner Grantee 2018-2019

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The White House (2020), salvaged shower doors, salvaged steel, salvaged insulation foam, carpet,

wood, shipping tape, hardware, construction debris, 22 feet high, dimensions variable.

This is a test run of a project made possible by Recycled Artist in Residency (RAiR), with the help of their staff, at Revolution Recovery, Philadelphia, through the generous support of the Andy Warhol Foundation.

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The Artifact Labyrinth: Unfixed Histories and the Language of Transformation

Dave Hardy · Dave Kennedy · Elizabeth Moran · Abbey Williams / curated by Jacob Hashimoto

installation view / photo Michele Alberto Sereni / Studio la Città – Verona

Pisa, 2017, glass, cement, polyurethane foam, ink, wood, metal, pencils, tire, coconuts, urethane resin, aluminum, found objects, salvaged shelves, 8 x 14 x 3 feet (variable)

Mountain, 2014, 85 x 60 x 28 inches,
Glass, cement, polyurethane foam, tint, ink, tape, pencil, pen, aluminum, salvaged shower

photo by Rebecca Fanuele

Blue Back, 2016, polyurethane foam, cement, glass, glue, tape, ink, oil clay, highlighters
56 x 20 x 12 inches
photo by Rebecca Fanuele

Chaudfontaine, 2017, glass, cement, polyurethane foam, wood, plastic crates, pencil, rubber spacers, 15 x 9 x 7 feet (height variable)

Sculpture uses tension to stand, as a shipping crate appears to be pressed against gallery ceiling by two tall panels of glass. An anthropomorphic form (foam saturated with cement) is suspended between the glass pieces that push into it. Lighghts 2014 in background, at Galerie Christophe Gaillard in Paris.
Photo by Rebecca Fanuele

That a Dead Man Sings, 2017, glass, cement, polyurethane foam, ink, aluminum, wood, steel, marker, linoleum, 50 x 56 x 36 inches (height variable)
A floor-to-ceiling architectonic sculpture installed in front of a teller’s desk inside of a vacant office space once belonging to a regional bank. Site-specific work at Queens Museum at Bulova Corporate Center.

Giza, 2017, cement, polyurethane foam, steel, tint, tape, pencil, wood, glass, bank lobby door, faux stone table, 84 x 48 x 36 inches

Tall pieces of glass are precariously held together by a knot of foam that has been saturated with cement. The structure holds up a glass door from a Chase Bank and sits on top of a faux stone table.

Pink Pencil, 2017, cement, polyurethane foam, aluminum, glass, tint, pencil, tape
28 x 16 x 7 inches

Untitled, 2014, 9 x 28 x 8 feet
Glass, cement, polyurethane foam, tint, tape, marker, metal

Sculpture is wedged between ceiling and floor of Regina Rex in NYC. It is an assemblage/tension structure made from cement, glass, and salvaged materials.

Untitled (Do Not Sit On Ledge), 2017, 154 x 38 x 18 inches
Glass, cement, polyurethane foam, ink, tints, metal, pretzels, CA glue, wood, salvaged table base

A series of conjoined, wall-mounted phone booths, delineated by glass panels and stripped of their obsolete payphones, serves as a literal framework for a site-specific four part sculpture. Installed at the Queens Museum at Bulova Corporate Center.

Great Falls, 2016
polyurethane foam, glass cement, ink, wood, aluminium, coin
20 x 31 x 10 inches
photo by Rebecca Fanuele

Exes, 2014
glass, cement, polyurethane foam, tint, tape, aluminum, pencil, and grease pencil
14 x 12 x 8 inches

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Tract, 2016
polyurethane foam, glass, cement, ink, wood, aluminium
17 x 10 x 13 inches

Greatfalls (detail), 2016
polyurethane foam, glass cement, ink, wood, aluminium, coin
20 x 31 x 10 inches

Photo by Rebecca Fanuele

Lighghts, 2014
glass, cement, polyurethane foam, tint, tape, aluminum, and car lighter
73 1/2 x 21 x 10 inches

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Heavy Balls, 2005-2017
Rubber and sand.
Dimensions Variable

Dave Hardy, Untitled (Hippy Pants), 2013, cement, polyurethane foam, foam, glass, ink, tape, pencil, marker, pretzel, 130 x 79 x 14 inches

Blue Coconut, 2016, coconut, glass, cedar, cement, tint, ink, polyurethane foam, vinyl, tape,
50 x 32 x 22 inches

Six, 2016
polyurethane foam, glass, cement, tint, wax paper, tape, glue stick, coconuts
59.5 x 16 x14 inches
photo by Rebecca Fanuele

Cernuous, 2017
cement, polyurethane foam, aluminum, glass, tint, paint, wood, pencils, pens,
pretzel, CA glue, gum package
37 x 34 x 7 inches
photo by Rebecca Fanuele

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Pretzel Tower, 2014, pretzels, ca glue, glass cement, bamboo skewers, steel stand, sandbag, tint, 28"x 16" x 14" (93" x 16" x 22" with steel stand)